Heinz J. Duell wrote him in 1994

"INTERPRETATION"

Instead of a critical review, an attempt.

I would like to describe as briefly as possible the works to which I was able to partially assist in their completion. I mean I was unable to be present for some time when they were in formation. It is very different “Material”, singular: neither precious nor trivial. Yes, it should be given an incentive, an idea to pass on whatever it is.

At this point I would like to present the Artist Caputo da Roma. The Artist, in the development of his various techniques ,surprises us and make sure that it remains an innocent secret but all of this with a provocative effect. You could try to understand the use of techniques with different materials, or perhaps it would be nice to simply surrender to the magic, even though sometimes confusing. With regard to an interpretation of the works of Caputo da Roma I would sincerely advise you to act carefully. It may be very tempting to put away the details that are not entirely innocent and wrongly called “beautiful”. You should try to see the seriousness with which our artist works , indeed he works in a creative way in the true sense of the word.

At this point I should clarify my idea of what it means to be creative. This is not a representation of himself, but only an attempt to make it accessible to the user all his potential experience. Caputo da Roma demonstrates that with his seriousness and joy, his stubbornness and the indescribable Mediterranean talent. Besides, culture makes us acknowledge the emotions and it is also made up of images. In the end I would advise you to contemplate the “ Sculpture Masks “, and the figurative compositions of Caputo da Roma. In them it is found, in a naive way and at the same time refined for the art lover, the joy and the experience of admiring, receiving and collecting “ the interpretation “ of the work of Caputo da Roma.